In the Victorian era, photography was in it's infancy. Exposures took many minutes, the equipment was heavy and awkward, and developing took many harsh chemicals. But, it was a novelty, and often something that was treasured for many years. A single photo could be the pride of a family. And, with traveling photographers only coming around so often, families siezed the chance to take photos. So, out of this culture came postmortem photography. The dead were posed, either with or without living family members, to form a memento. This was often the only picture of the dead. Many were posed in lifelike positions, either propped up with pillows, "sleeping", or held in position with detailed stands. While to us, this seems kind of gruesome, this was simply a way of remembering the dead.
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Showing posts from July, 2012
Extremely Loud and Incredibly Close
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I finally got to watch "Extremely Loud and Incredibly Close". It shot very cinemographically, with beautiful pans, compositions and focuses. the art of the filiming alone is worth watching for. The main character, Oskar, depicts the struggles of being nuerologically atypical, perhaps on the ausistic spectrum. As he deals with his father's death in 9-11, Oskar goes on a journey through New York city where he faces many of his fears and problems. I found the film well worth watching, and quite entertaining. Enjoy. more information on the film: http://www.imdb.com/title/tt0477302/